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The 110th Psalm’s structure is anchored within two prophetic pronouncements (vs. 1 and 4). Though scholars have espoused various structural breakdowns, a two section division seems most sensible. Parallelisms between verses 1-2 and 4-5 are too numerous to ignore. These include the repetition of the name hwhy and repetition of His acts of pronouncing a future reality.[1]

The entire psalm is a particularization of the phrase “until I make your enemies a footstool for your feet (^yl,(g>r:l. ~doåh] ^yb,ªy>ao÷ tyviîa’-d[;).” This particularization occurs by means of numerous contrasts: hands and feet; sitting and moving; Zion and the nations; my right hand and your right hand.

The first pronouncement proclaims that the king will sit on Yahweh’s right hand until the time at which his enemies become a footstool for him. As noted, this idea is then particularized in the four subsections that follow, essentially announcing “how” hwhy will bring this reality about. The second pronouncement (vs. 4) connects the king with the priestly lineage of Melchizedek, a feature which might seem out of place if we were discussing Aaronic priests, but because Melchizedek’s Genesis context is being blessed by Abraham after the defeat of the kings of Sodom, the psalmist’s connecting him to military imagery seems natural. This pronouncement is, like the first, accompanied by four subsections which serve to particularize verse 4.[2]

Finally, one of the more interesting features of the psalm involves a stylistic connection, at points, with prophetic oracles. Each of the two statements anchoring the structure of the psalm stylistically reflects prophetic discourse.[3] Examples of prophetic discourse and the importance of the structure of this psalm will be discussed in the following post in this series.


[1] There are also other occurrences which indicate this two fold division, namely the repeated use of certain elements in the one section with no reference to the element in the other section. For example, Allen astutely notes the first strophe is characterized by the eightfold repetition of the pronominal suffix ^ (your) in vs. 1-3, while the second is marked by the fourfold repetition of the preposition l[;. Neither of these elements occur with the same frequency in the alternative strophe.

[2] Other notable features involve an inclusion that moves from the first verse with there reference to the kings enemies being placed under his feet (lg<r,) to the final verse which references his head (varo,) being lifted up. The alliterative aspect of this inclusion highlights another prominent feature of this psalm.

[3] One example will suffice here. The “Day of Wrath” rhetoric occurs in numerous prophetic books. It is a day in which Yahweh is viewed as a divine warrior warring against pagan nations and intervening to protect the king and His people. Is. 5:15, Jer. 9:21, Ez. 32:5-6

Within the canonical context, there can be little doubt that the 110th Psalm is messianic and eschatological in nature. Not only does the New Testament cite this psalm more than any other in reference to Jesus Christ, but the actual placement of the psalm within the Psalter either “beside a pair of Davidic psalms, Ps. 108, 109, or subsequently attracting them to it as a cluster, already reflects a messianic understanding”[1] at the time of the Psalter’s compilation.

 That said, there remains substantial difficulty in discerning the dating of this psalm.[2] The ascription places the dating at the time of David, possibly his enthronement or his successful sacking of Jerusalem. An assortment of scholars align the psalm with post-exilic priestly activity, arguing for a redaction from a prior document rooted in the Davidic dynasty. Still other speculations span from the eras of Abraham, Simon Maccabeus, King Josiah, and King Solomon. While recognizing the difficulty involved in dating, this series works from the assumption that the earliest materials[3] present within this psalm originate in the Davidic dynasty.[4] With the biblical evidence suggesting that the Davidic kings did in fact have mediatory, cultic functions (I Kings 8:22-26, Jer. 30:21),[5] there seems to exists no incontrovertible evidence excusing the extraction of this text from a pre-exilic locale.

Composed of two prophetic pronouncements, the voice present in this psalm is probably that of a court prophet serving as a subject of a newly enthroned king (ynI©doal;()[6] and probably performing a professional function during the enthronement procedures.[7] The pronouncement of the prophet entails Yahweh’s endowment of the king with dominance over his adversaries[8] and cultic, mediatory authority.[9] Such a merging of military and cultic privilege is a well documented practice in Ancient Near Eastern (ANE) literature, though admittedly rather rare in the Old Testament.

With the ambiguity of the introductory material noted,[10] the remainder of this series will be concerned with working from within the text itself, beginning with a brief sketch of the structure of the psalm and concluding with a lengthier set of comments on the more noteworthy features of the text.


[1] Leslie C. Allen, Psalms 101-150. Vol. 21. The Word Biblical Commentary. (Waco: Word Books Publisher, 1983), 79.

[2]  For broader reasons for the difficulty of dating this and the other Royal Psalms, see Gunkel, 118.

[3] Though the earliest writer materials indicated a time during the Davidic kingly era, some of the rituals and traditions behind this document likely go back to the Jebusite royal traditions, of which the Melchizedekian comes to the foreground for this psalm.

[4] The primary argument for a post-exilic dating asserts that vs. 4 indicates the period of the Maccabean priest-kings, most likely around 105 B.C.E. The problem, however, is that the text does not say that a priest will become king. Rather, a king is given the status of priesthood, and that status is not even Aaronic. Post-exilic Maccabean priestly rulers would have certainly found this and other psalms helpful, but the evidence that they authored these psalms is scant. A comparison with non-canonical, post-exilic poems demonstrates that the non-canonical psalms of this period are exceptionally weak, “reflecting corroded imitations of ancient patterns. They are removed from the outstanding flourish of the songs in Pss 2 and 110.” Gunkel, 119.

[5] Hans­-Joachim Kraus, Theology of the Psalms. A Continental Commentary. (Minneapolis: Fortress Press, 1992), 111.

[6] Gunkel identifies the 110th Psalm as a Royal Psalm, and suggests it was sung on the “day of anointing of the young ruler” and assists us in gaining insight the “situation of the enthronement from the reports of the historical books.” Hermann Gunkel, An Introduction to the Psalms. (Macon: Mercer University Press, 1998), 67.

[7] James Luther Mays, Psalms. Interpretation. (Louisville: John Knox Press, 1994), 350.

[8] Whatever else may be said, this psalm is closely connected with Psalm 2 and 2 Samuel 7, both of which elevate the military conquests of Yahweh’s king by Yahweh’s hand.

[9] As already noted, vs. 4 indicates that military success does not exhaust the kings job description, he also retains cultic functions. This sacerdotal efficaciousness “will assure the success and well-being of the people (v. 3),” Walter Brueggemann, Theology of the Old Testament. (Minneapolis: Fortress Press, 1997), 606.

[10] Allen, 84.  The priest/king connections in this psalm do not really help at this point either. Verse 4 could indicate a post-exilic dating, but “if vs. 4 can be harmonized with the Davidic monarchy, the way is mainly open toward a pre-exilic setting.” The military references seem to indicate a pre-exilic setting, some have suggested Josiah. Whatever the case it seems the most likely suggestion is that the earliest form of this psalm is pre-exilic, though I am not convinced one could be too dogmatic in this assertion. .

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